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Notes from our Rehearsal Jam on the evening of Sunday 18 June 2006 in Camden
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19 June 2006
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Greetings to all,
This is an update of London’s Sekar
Gedhogan Gamelan Orchestra's community building activities in London,
raising funds for the Yogyakarta 27 May 2006 earthquake victims.
Quite a crowd appeared on the cobblestones in front of Unit 92, Stables Market, Camden, for the gamelan music, with dance and Tibetan singing bowls and cross denominational chanting, which began at 8pm and continued until 3am.
New faces seemed to be coming out of
the woodwork to join our community building for London. Wahyudi
from Bandung, Java, came and played us the Sunda sulings
perfectly. (He also plays the Sunda silat
trumpet and, with luck, we will locate one to make the kembangan
sessions even more authentic!) Nyoman had a repertoire of old
Kawi mantrams and blessings from his Balinese tradition. At the
height of our performance, the Sekar Gedhogan Community Gamelan Orchestra
performance that night was a tightly but freely harmonized ensemble
of kendangs, rebanas, bangbungs
(Yogyakarta traditional big bamboo didgeridoo-like instrument), sarons,
gongs, sulings and vocals. Our sponsoring shop, Kalimantan
Creations, has just brought in a set of Jawa gongs. Not the expensive
bronze ones, but steel and iron village gongs. The largest, the
gong suwuk, is 1.5m in diameter and its deep, resonating boom
is a sensation as much as a sound. Doing kembangan, a dance-like
martial art of Southeast Asia, were Debbie and Jules, two young mums
from a Harimau Minang silat school, and our own Bram Prijosusilo.
John, who last year displayed his silat
skills during a great session of ulin nampel
(sticking play) with Bram, wanted to join in kembangan
but was not sure how. Here is some advice from Bram directed
at practitioners of silat (though most of it applies to gamelan
performers as well): Think of kembangan
as sticky hands in which your partner is the music--especially the drums.
One beauty of silat is that one jurus, or form, can make
a performance; each jurus, in itself, projects beauty and energy.
Think of kembangan as a hybrid of disco, in which any Mr Blobby
can waddle his arse, and yoga, in which particular forms are designed
to benefit the practitioner. With just one, two, or three jurus,
you can write your own poetry--and your poetry will be fit for a royal
audience! In both gamelan and kembangan, the performance plays a vital role in community building. The atmosphere of ceremony and thanksgiving thickens every time we do our summer Sunday evening gamelan-and-movement get-togethers.
Thank you to all who supported last Sunday’s
event. Please remember that this Sunday, 25 June 2006, at 7pm
will be our first fund raising ceremony, with all monies collected going
directly to aid Bicak and Ngunut, two hamlets hit hard by the Yogyakarta
earthquake and with which we have direct contact (see www.kalimantancreations.co.uk
Warmest blessings,
Sekar Gedhogan |